Tag: Necessary Fiction

RIFT is coming to Kindle soon! And lots of other news…

RIFT 4th July*Happy to announce that RIFT (Unknown Press), co-authored with Robert Vaughan, will be available on Kindle soon. Will keep you posted!

There’s been a flurry of press for RIFT recently, in the form of reviews (Change Seven Magazine and Goodreads), two interviews (Midwestern Gothic and Bartleby Snopes) and research notes at Necessary Fiction. If you’re interested, please follow the links below:

Interview with Rachel Hurwitz at Midwestern Gothic

Research Notes for RIFT by Kathy Fish & Robert Vaughan at Necessary Fiction

Interview with Leonora Desar at Bartleby Snopes

Review of RIFT by Anne Weisgerber at Change Seven Magazine

Goodreads review of RIFT by Al Kratz

Goodreads review of RIFT by Steve Karas, author of Kinda Sorta American Dream

Goodreads review of RIFT by Meg Tuite, author of Bound by Blue & Lined Up Like Scars

I will be conducting another weekend workshop through Word Tango in May. This time, we will focus on writing flash creative nonfiction. Go here for more info and to get on the mailing list!

Tomorrow I begin my SIXTH Fast Flash© Workshop! Very excited to work with a new group of amazing writers!

*cover photography courtesy of Casey McSpadden

Gratitude, Submitting, Grace Paley & What I've Been Up To

This past week I sent out a short story to 13 journals and two short story contests. It feels like a gigantic accomplishment in itself. For various reasons, it has been a “quiet” couple of years for me as a writer. At one point, I felt I’d never write a short story again. I felt that removed from my creative life. So regardless of what happens with this new story, I feel a renewed sense of hope and enormous gratitude for having this new story in my hands, a story I’ve worked hard on and like a lot.

And I read a really smart (and timely, for me) article about submitting one’s work by Joseph Scapellato at the Gulf Coast blog. I loved all of it, particularly this:

“Whatever you do, don’t wait until you feel 100% certain that your strongest, biggest, or sharpest work is 100% ready. Instead, wait until you are 75% certain that your strongest, biggest, or sharpest work is as ready as it can be at this point in your life as a writer, right now, today.”

That just makes so much sense. The rest of the article is here.

Grace PaleyI read an amazing interview at the Paris Review with Grace Paley here: Grace Paley awesomeness.

She said this and it is exactly how I feel, too: “The sound of the story comes first.”

And she said this about what she was doing before she was a published writer, valuing that time and seeing how it led her to writing her stories:

“I was working part time. I was hanging out a lot. I was kind of lazy. I had my kids when I was about twenty-six, twenty-seven. I took them to the park in the afternoons. Thank God I was lazy enough to spend all that time in Washington Square Park. I say lazy but of course it was kind of exhausting running after two babies. Still, looking back I see the pleasure of it. That’s when I began to know women very well—as co-workers, really. I had a part-time job as a typist up at Columbia. In fact, when I began to write stories, I typed some up there, and some in the PTA office of P.S. 41 on Eleventh Street. If I hadn’t spent that time in the playground, I wouldn’t have written a lot of those stories. That’s pretty much how I lived. And then we had our normal family life—struggles and hard times. That takes up a lot of time, hard times. Uses up whole days.”

I read this perfect quote from Flaubert: “Do not read, as children do, to amuse yourself, or like the ambitious, for the purpose of instruction. No, read in order to live.”

I read all the tweets from people who attended AWP and felt nearly equal parts despair and relief. I recognized the fact that my hurting hip would not survive one hour at the book fair let alone four days walking around the conference and snowy Boston. I’ll be in better shape for Seattle.

I judged a flash fiction contest for Flash Fiction Chronicles. I wrote a book review for Necessary Fiction. I wrote a tiny craft article for the beautiful Lascaux Review. I was interviewed. I read beautiful fiction that inspired me and an amazingly well-written essay on growing up in the Cold War years by Susan Detweiler in the current Missouri Review.

It is already March, but I have a sense of excitement and hope around 2013. I can’t even really say why, but it feels so good and I am grateful.

Shut Up, Look Pretty

A book I’m very eager to read, from Tiny Hardcore Press featuring stories by Erin Fitzgerald, Lauren Becker, Kirsty Logan, Michelle Reale, and Amber Sparks:

Check out this interesting roundtable discussion at Necessary Fiction

Necessary Fiction.

A book I read and recommend is the e-book One Time All I Wanted, by Nicolle Elizabeth and published by Dark Sky Books. I reviewed the book at elimae.

Into and Out of the Wild–My final post at Necessary Fiction

Necessary Fiction.

Appalachian Silence among the Dark Selves – Sam Rasnake

I posted these poems on Christmas Eve at Necessary Fiction because they felt right, not in a religious sense, but in the feel and tone of solemnity that I get from Sam Rasnake’s poetry, particularly this Appalachian suite. Be sure to check out the youtube links at the bottom of the page. The musical choices compliment the poems so perfectly:

Necessary Fiction.

There’s more to come in my last days as writer-in-residence at NF. I have loved this opportunity to share such brilliant writing. I’m working on something to post, of my own, on New Year’s eve along with some great, wild photographs. Stay tuned!

Two New Reviews of WILD LIFE

Nice to get two new reviews before the year is out. Jim Ruland, author of Big Lonesome, included a mini review of WILD LIFE in this article at San Diego City Beat: Collections of Short Stories to Hang by The Fire With Care

“The most slender of the books assembled here—each story in Fish’s “collection of undomesticated flash fictions” is fewer than 600 words—Wild Life has teeth. Although you can read it from cover to cover in a few hours, there’s nothing slight about these slim fictions. These stories are culled from real life, making them all the more harrowing.

Quote: They discovered the baby in the grass, under the frantic cotton sheets. The clothesline spun and creaked throwing light, then shadow on his face, his wee head smooth and curved as a doorknob.

Also reviewed are: VOLT (Alan Heathcock, Graywolf), MUSEUM OF THE WEIRD (Amelia Gray, Fiction Collective 2) MAGNIFICENT MISTAKES (Eric Bosse, Ravenna Press), TUND (Thor Garcia, Litteraria Pragencia) and AMPERSAND, MASS. (William Walsh, Keyhole Press). I’ve read Museum of the Weird, Magnificent Mistakes and Ampersand, Mass. and recommend all three highly.

Also, the great Roxane Gay reviewed Wild Life at Beyond the Margins. And says, among other kind things: “Fish does what the best writers of flash fiction hope to accomplish—she finds the most necessary moments, and reveals their complexity with an economy of language.” There, I’m also in good company with reviews for The Rest of the Story by Chris Tarry, Green Girl, by Kate Zambreno, Game of Secrets by Dawn Tripp, and the debut issue of Unstuck, which is excellent.

Latest posting during my month as Writer-in-Residence at Necessary Fiction: a reprint of a Robert Lopez story (originally appeared in Sententia), “Inconsequential, Oklahoma” and you can read it here: Robert Lopez story.

Necessary Fiction

James Robison graciously agreed to contribute to my month as writer-in-residence at Necessary Fiction with his beautiful piece, “There Are No Lines in Nature” along with an author’s note. Read it here:

Necessary Fiction.

I'm Writer-in-Residence @Necessary Fiction for December

Necessary Fiction.

Very excited about this. Thanks, Steve Himmer!